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graphic artist camille walala has built a vibrant labyrinth of shapes and colours for the now gallery in london’s summer program. the immersive, interactive installation explores ideas of art, wellbeing and human scale and invites invites visitors of all ages to explore the space – and themselves – via a maze of geometric patterns, unpredictable corridors and walala’s distinctive bold colours.
all images © charles emerson
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camile walala‘s ‘temple to wonder’ invites visitors to unleash their inner child and lose themselves in colour and pattern. with walls of different heights, passageways of different widths, enclosed spaces and curved and zigzag paths, the installation foregrounds the idea of human scale, giving visitors both a lasting visual impression and an extraordinary physical experience as they pass through it. mirrored panels reflect the space back on itself; suspended shapes introduce a feeling of lightness and playful disorientation –walala x play– is a journey that will challenge, reward and excite gallery-goers in equal measure.
at the heart of the installation is a puzzle – a giant three-dimensional game of spot the difference. stepping into the installation, visitors will be confronted with a challenge: enter the space and explore its colours, patterns, shapes and scales to locate all the differences. the design itself references the waterways of the greenwich peninsula, the curve of the thames, and the internal shapes and angles of the buildings themselves.
the layout of the installation playfully mirrors the shape of the building and its components are positioned in response to the mapping of the building and the peninsula around it. seen from above, there is a clear, fluid relationship between the walls of the installation and the aerial view of the wider area, making the piece a structural extension of its immediate environment.
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AI-driven multiscale simulations illuminate mechanisms of SARS-CoV-2 spike dynamics, IJHPCA, 2021
Multiscale modeling and cinematic visualization of photosynthetic energy conversion processes from electronic to cell scales, J. Par. Comp. 2021
NAMD and VMD part of the team winning the ACM COVID-19 Gordon Bell Prize for 2020
The Coronavirus Unveiled, VMD visualizations of SARS-CoV-2, NYT, 2020
VMD + NVIDIA Ommniverse Folding @ Home Coronavirus Movie, NVIDIA, 2020
Scalable Analysis of Authentic Viral Envelopes on FRONTERA, CiSE, 2020
Scalable molecular dynamics on CPU and GPU architectures with NAMD, JCP, 2020
VMD test builds for MacOS X 10.15 'Catalina' (April 24, 2020)
Atoms to Phenotypes: Molecular Design Principles of Cellular Energy Metabolism, Cell, 2019
An Accessible Visual Narrative for the Primary Energy Source of Life from the Fulldome Show Birth of Planet Earth: Movie Paper
High-Performance Analysis of Biomolecular Containers to Measure Small-Molecule Transport, Transbilayer Lipid Diffusion, and Protein Cavities, JCIM, 2019
Birth of Planet Earth excerpt created using VMD selected for Siggraph Electronic Theater, Siggraph 2019
19,200 human protein structures visualized with VMD, Kresten Lindorff-Larsen
NanoShaper-VMD interface: computing and visualizing surfaces, pockets and channels in molecular systems, Bioinformatics, 2019
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An Accessible Visual Narrative for the Primary Energy Source of Life from the Fulldome Show Birth of Planet Earth, 1st Place Winner, SC'19 Viz. Showcase
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Chemical Visualization of Human Pathogens: the Retroviral Capsids, Finalist, SC'15 Viz. Showcase
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